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Your hazard shall be made.

Mor.

Good fortune then!

To make me blest or cursed’st among men.

[Cornets.] Exeunt.

[Scene II]

Enter the Clown [Launcelot Gobbo] alone.

Laun. Certainly my conscience will serve me to run from this Jew my master. The fiend is at mine elbow and tempts me, saying to me, “[Gobbo], Launcelot [Gobbo], good Launcelot,” or “good [Gobbo],” or “good Launcelot [Gobbo], use your legs, take the start, run away.” My conscience says, “No; take heed, honest Launcelot, take heed, honest [Gobbo],” or as aforesaid, “honest Launcelot [Gobbo], do not run, scorn running with thy heels.” Well, the most courageous fiend bids me pack. “Fia!” says the fiend; “away!” says the fiend; “for the heavens, rouse up a brave mind,” says the fiend, “and run.” Well, my conscience, hanging about the neck of my heart, says very wisely to me, “My honest friend Launcelot, being an honest man’s son”—or rather an honest woman’s son, for indeed my father did something smack, something grow to, he had a kind of taste—well, my conscience says, “Launcelot, bouge not.” “Bouge,” says the fiend. “Bouge not,” says my conscience. “Conscience,” say I, “you counsel well.” “Fiend,” say I, “you counsel well.” To be rul’d by my conscience, I should stay with the Jew my master, who (God bless the mark) is a kind of devil; and to run away from the Jew, I should be rul’d by the fiend, who, saving your reverence, is the devil himself. Certainly the Jew is the very devil incarnation, and in my conscience, my conscience is but a kind of hard conscience, to offer to counsel me to stay with the Jew. The fiend gives the more friendly counsel: I will run, fiend; my heels are at your commandement, I will run.


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