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Mrs. Luke Dawson galloped backward on stiff hands and knees into the safety of the lighted hallway, moaning, “I declare, I nev' was so upset in my life!” But the propriety was shaken out of her, and she delightedly continued to ejaculate “Nev' in my LIFE” as she saw the living-room door opened by invisible hands and shoes hurling through it, as she heard from the darkness beyond the door a squawling, a bumping, a resolute “Here's a lot of shoes. Come on, you wolves. Ow! Y' would, would you!”

When Carol abruptly turned on the lights in the embattled living-room, half of the company were sitting back against the walls, where they had craftily remained throughout the engagement, but in the middle of the floor Kennicott was wrestling with Harry Haydock — their collars torn off, their hair in their eyes; and the owlish Mr. Julius Flickerbaugh was retreating from Juanita Haydock, and gulping with unaccustomed laughter. Guy Pollock's discreet brown scarf hung down his back. Young Rita Simons's net blouse had lost two buttons, and betrayed more of her delicious plump shoulder than was regarded as pure in Gopher Prairie. Whether by shock, disgust, joy of combat, or physical activity, all the party were freed from their years of social decorum. George Edwin Mott giggled; Luke Dawson twisted his beard; Mrs. Clark insisted, “I did too, Sam — I got a shoe — I never knew I could fight so terrible!”

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