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"When I am telling it," she would say, "it does n't seem as if it was only made up. It seems more real than you are—more real than the school-room. I feel as if I were all the people in the story—one after the other. It is queer."
She had been at Miss Minchin's school about two years when, one foggy winter's afternoon, as she was getting out of her carriage, comfortably wrapped up in her warmest velvets and furs and looking very much grander than she knew, she caught sight, as she crossed the pavement, of a dingy little figure standing on the area steps, and stretching its neck so that its wide-open eyes might peer at her through the railings. Something in the eagerness and timidity of the smudgy face made her look at it, and when she looked she smiled because it was her way to smile at people.
She was cleaner than she had been when she peeped through the area railings, but she looked just as frightened. She was evidently afraid to look at the children or seem to be listening. She put on pieces of coal cautiously with her fingers so that she might make no disturbing noise, and she swept about the fire-irons very softly. But Sara saw in two minutes that she was deeply interested in what was going on, and that she was doing her work slowly in the hope of catching a word here and there. And realizing this, she raised her voice and spoke more clearly.