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He was still troubled, though. “I want to do something. Even an empty gesture’s better than none at all. The last few months, I started putting together a longer thing; I guess it could be a symphony. When I finish it, I’d like to call it the ‘Damorlant Symphony.’“

“Why not?” she said. He thought she was humoring him, but she added, “They’ll think you just picked the name from an astrogation chart.”

In a final burst of irony he dedicated the “Damorlant Symphony” to the human race, but, as usual, he was misunderstood. In fact, one of the music critics—all of whom were enthusiastic over the new work—wrote, “At last we have a great musician who is also a great humanist.”

Eventually Clarey forgot his original intent and came to believe it himself.

PART ONE

The Quedak lay on a small hilltop and watched a slender jet of light descend through the sky. The feather-tailed jet was golden, and brighter than the sun. Poised above it was a glistening metallic object, fabricated rather than natural, hauntingly familiar. The Quedak tried to think what it was.