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Petulantly, Halvorsen threw the paper under the table and walked out. What had space travel to do with him? Vacations on the Moon and expeditions to Venus and Mars were part of the deadly encroachment on his livelihood and no more.

II

He took the subway to Passaic and walked down a long-still traffic beltway to his studio, almost the only building alive in the slums near the rusting railroad freightyard.

A sign that had once said “F. Labuerre, Sculptor—Portraits and Architectural Commissions” now said “Roald Halvorsen; Art Classes—Reasonable Fees.” It was a grimy two-story frame building with a shopfront in which were mounted some of his students’ charcoal figure studies and oil still-lifes. He lived upstairs, taught downstairs front, and did his own work downstairs, back behind dirty, ceiling-high drapes.

Going in, he noticed that he had forgotten to lock the door again. He slammed it bitterly. At the noise, somebody called from behind the drapes: “Who’s that?”

“Halvorsen!” he yelled in a sudden fury. “I live here. I own this place. Come out of there! What do you want?”

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