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He opened the frosted glass door with a feeling of misgiving, and faced a dark flight of stairs leading to the upper floor. Somewhere above him a buzzer sounded, evidently indicating his arrival. He picked his way up through the murky stairwell.

The reception room was hardly a cheerful place, with its battered desk facing the view of the empty alley, and a film of dust obscuring the pattern of the gray-looking wallpaper and worn rug. But the light of the summer afternoon filtering through the window scattered the gloom somewhat, enough to help Don doubt that he would find the menace here that he had come to expect.

The girl addressing envelopes at the desk looked very ordinary. Not the Mata-Hari type, thought Don, with an inward chuckle at his own suspicions. He handed her the letter.

She smiled. “We’ve been expecting you, Dr. Alford. If you’ll just step into the next room—”

She opened a door opposite the stairwell, and Don stepped through it.

The sight of the luxurious room before him struck his eyes with the shock of a dentist’s drill, so great was the contrast between it and the shabby reception room. For a moment Don had difficulty breathing. The rug—Don had seen one like it before, but it had been in a museum. The paintings on the walls, ornately framed in gilt carving, were surely old masters—of the Renaissance period, he guessed. Although he recognized none of the pictures, he felt that he could almost name the artists. That glowing one near the corner would probably be a Titian. Or was it Tintorretto? He regretted for a moment the lost opportunities of his college days, when he had passed up Art History in favor of Operational Circuit Analysis.

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