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Of how the curate and the barber proceeded with their scheme; together with other matters worthy of record in this great history

The curate's plan did not seem a bad one to the barber, but on the contrary so good that they immediately set about putting it in execution. They begged a petticoat and hood of the landlady, leaving her in pledge a new cassock of the curate's; and the barber made a beard out of a grey-brown or red ox-tail in which the landlord used to stick his comb. The landlady asked them what they wanted these things for, and the curate told her in a few words about the madness of Don Quixote, and how this disguise was intended to get him away from the mountain where he then was. The landlord and landlady immediately came to the conclusion that the madman was their guest, the balsam man and master of the blanketed squire, and they told the curate all that had passed between him and them, not omitting what Sancho had been so silent about. Finally the landlady dressed up the curate in a style that left nothing to be desired; she put on him a cloth petticoat with black velvet stripes a palm broad, all slashed, and a bodice of green velvet set off by a binding of white satin, which as well as the petticoat must have been made in the time of king Wamba. The curate would not let them hood him, but put on his head a little quilted linen cap which he used for a night-cap, and bound his forehead with a strip of black silk, while with another he made a mask with which he concealed his beard and face very well. He then put on his hat, which was broad enough to serve him for an umbrella, and enveloping himself in his cloak seated himself woman-fashion on his mule, while the barber mounted his with a beard down to the waist of mingled red and white, for it was, as has been said, the tail of a clay-red ox.