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CHAPTER II.
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The elder Mr. Warrender was a country gentleman of an undistinguished kind. The county gentry of England is a very comprehensive class. It includes the very best and most delightful of English men and English women, the truest nobility, the finest gentlemen; but it also includes a number of beings the most limited, dull, and commonplace that human experience knows. In some cases they are people who do well to be proud of the generation of gentlefolk through whom they trace their line, and who have transmitted to them not only the habit of command, but the habit of protection, and that easy grace of living which is not to be acquired at first hand; and there are some whose forefathers have handed down nothing but so many farms and fields, and various traditions, in which father and son follow each other, each smaller and more petty of soul than he that went before. The family at the Warren were of this class. They were acknowledged gentry, beyond all question, but their estates and means were small and their souls smaller. Their income never reached a higher level than about fifteen hundred a year. Their paternal home was a house of rather mean appearance, rebuilt on the ruins of the old one in the end of last century, and consequently as ugly as four square walls could be. The woods had grown up about it, and hid it almost entirely from sight, which was an advantage, perhaps, to the landscape, but not to those who were condemned to dwell in the house, which was without light and air and everything that was cheering. The name of the Warren was very well adapted to the place, which, except one corner of the old house which had stood fast when the rest was pulled down, might almost have been a burrow in the soft green earth, damp and warm and full of the mould of ages, though it was a mere new-comer in the world. Its furniture was almost entirely of the same date as the house, which means dingy carpets, curtains of harsh and unpliable stuff, and immense catafalques of mahogany in the shape of sideboards, arm-chairs, and beds. A four-poster of mahogany, with hangings of red moreen, as stiff as a board and much less soft,—that was the kind of furnishing; to be sure, it was full of feather-beds and pillows, warm blankets and fresh linen, which some people thought made amends.