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Moving on to Candleford, we find in Uncle Tom, the cobbler with his apprentices, the representative of the master-craftsman who did quite literally build England, the England that Laura at Candleford Green saw in articulo mortis. Uncle Tom is a townsman, but his spiritual brother of the fields was the yeoman. Farm and workshop both were husbanded as a responsible stewardship and according to inalienable first principles. For both, yeoman and master-craftsman, the holding of property was the guarantee of economic freedom and a dutiful right. Home, as the centre alike of the family and of industry and the nucleus of neighbourliness, was the ruling concept for them both. Over to Candleford devotes special pains to the portraiture of Uncle Tom and his household. The interaction between his social value to the life of the little town and his personal integrity, his pride in his work and virile personality are described with the intent of revealing good living and the good life as an historical unity of the older England. In a line, Laura looking back and seeing herself, the other Laura, reading to Uncle Tom in his workshop-cum-home, sums up his end, both as a symbol and a living-figure. If he were alive now, she says, he would be the manager of a chain-store.

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