Читать книгу Phœbe, Junior онлайн

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This lady was the mother of Clarence Copperhead, the young man who was at Oxford, her only child, upon whom (of course) she doted with the fondest folly; and whom his father jeered at more than at any one else in the world, more even than at his mother, yet was prouder of than of all his other sons and all his possessions put together. Clarence, whom I will not describe, as he will, I trust, show himself more effectually by his actions, was like his mother in disposition, or so, at least, she made herself happy by thinking; but by some freak of nature he was like his father in person, and carried his mouse's heart in a huge frame, somewhat hulking and heavy-shouldered, with the same roll which distinguished Mr. Copperhead, and which betrayed something of the original navvy who was the root of the race. He had his father's large face too, and a tendency towards those demonstrative and offensive whiskers which are the special inheritance of the British Philistine. But instead of the large goggle eyes, always jeering and impudent, which lighted up the paternal countenance, Clarence had a pair of mild brown orbs, repeated from his mother's faded face, which introduced the oddest discord into his physiognomy generally. In the family, that is to say among the step-brothers and step-sisters who formed Mr. Copperhead's first family, the young fellow bore no other name than that of the curled darling, though, indeed, he was as far from being curled as any one could be. He was not clever; he had none of the energy of his race, and promised to be as useless in an office as he would have been in a cutting or a yard full of men. I am not sure that this fact did not increase secretly his father's exultation and pride in him. Mr. Copperhead was fond of costly and useless things; he liked them for their cost, with an additional zest in his sense of the huge vulgar use and profit of most things in his own life. This tendency, more than any appreciation of the beautiful, made him what is called a patron of art. It swelled his personal importance to think that he was able to hang up thousands of pounds, so to speak, on his walls, knowing all the time that he could make thousands more by the money had he invested it in more useful ways. The very fact that he could afford to refrain from investing it, that he could let it lie there useless, hanging by so many cords and ribbons, was sweet to him. And so also it was sweet to him to possess a perfectly useless specimen of humanity, which had cost him a great deal, and promised to cost him still more. He had plenty of useful sons as he had of useful money. The one who was of no use was the apex and glory of the whole.