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James Morlake's flat in Bond Street was, perhaps, the most luxurious apartment in that very exclusive thoroughfare. The room in which he sat, with its high ceiling fantastically carved into scrolls and arabesques by the most cunning of Moorish workmen, was wide and long and singular. The walls were of marble, the floor an amazing mosaic covered with the silky rugs of Ispahan. Four hanging lamps, delicate fabrics of silver and silk, shed a subdued light.

With the exception of the desk, incongruously gaudy in the severe and beautiful setting, there was little furniture. A low divan under the curtained window, a small stool, lacquered a vivid green, and another chair was all.

The man who sat at the writing-table might have been forty—he was four years less—or fifty. His was the face of a savant, eager, alive, mobile. There was a hint of laughter in his eyes, more than a hint of sadness. A picturesque and most presentable person was James Lexington Morlake, reputedly of New York City (though some doubted this) and now of 823 New Bond Street in the County of London and of Wold House in the County of Sussex. His evening coat fitted the broad shoulders perfectly; the white bow at his collar was valet-tied.