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The Third Casket.

(The Saturday Evening Post, 31 May 1924)

When you come into Cyrus Girard’s office suite on the thirty-second floor you think at first that there has been a mistake, that the elevator instead of bringing you upstairs has brought you uptown, and that you are walking into an apartment on Fifth Avenue where you have no business at all. What you take to be the sound of a stock ticker is only a businesslike canary swinging in a silver cage overhead, and while the languid debutante at the mahogany table gets ready to ask you your name you can feast your eyes on etchings, tapestries, carved panels and fresh flowers.

Cyrus Girard does not, however, run an interior-decorating establishment, though he has, on occasion, run almost everything else. The lounging aspect of his ante-room is merely an elaborate camouflage for the wild clamor of affairs that goes on ceaselessly within. It is merely the padded glove over the mailed fist, the smile on the face of the prizefighter.

No one was more intensely aware of this than the three young men who were waiting there one April morning to see Mr. Girard. Whenever the door marked Private trembled with the pressure of enormous affairs they started nervously in unconscious unison. All three of them were on the hopeful side of thirty, each of them had just got off the train, and they had never seen one another before. They had been waiting side by side on a Circassian leather lounge for the best part of an hour.

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