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Well, he’d find out the whole muddled business in about three minutes, and a lot of good it’d do anybody else left in the muddle. Damned muddle—everything a muddle, everybody offside, and the referee gotten rid of—everybody trying to say that if the referee were there he’d have been on their side. He was going to go and find that old referee—find him—get hold of him, get a good hold—cling to him—cling to him—ask him—

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The Pierian Springs and the Last Straw.

Nassau Literary Magazine (October 1917)

My Uncle George assumed, during my childhood, almost legendary proportions. His name was never mentioned except in verbal italics. His published works lay in bright, interesting bindings on the library table—forbidden to my whetted curiousity [curiosity] until I should reach the age of corruption. When one day I broke the orange lamp into a hundred shivers and glints of glass, it was in search of closer information concerning a late arrival among the books. I spent the afternoon in bed and for weeks could not play under the table because of maternal horror of severed arteries in hands and knees. But I had gotten my first idea of Uncle George—he was a tall, angular man with crooked arms. His opinion was founded upon the shape of the handwriting in which he had written, “To you, my brother, with heartiest of futile hopes that you will enjoy and approve of this: George Rombert.” After this unintelligible beginning, whatever interest I had in the matter waned, as would have all my ideas of the author, had he not been a constant family topic.

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