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“Wells, I guess, and Tolstoi, and a man named Edward Carpenter. I’ve been reading for over a year now—on a few lines, on what I consider the essential lines.”

“Poetry?”

“Well, frankly, not what you call poetry, or for your reasons—you two write, of course, and look at things differently. Whitman is the man that attracts me.”

“Whitman?”

“Yes; he’s a definite ethical force.”

“Well, I’m ashamed to say that I’m a blank on the subject of Whitman. How about you, Tom?”

Tom nodded sheepishly.

“Well,” continued Burne, “you may strike a few poems that are tiresome, but I mean the mass of his work. He’s tremendous—like Tolstoi. They both look things in the face, and, somehow, different as they are, stand for somewhat the same things.”

“You have me stumped, Burne,” Amory admitted. “I’ve read ‘Anna Karénina’ and the ‘Kreutzer Sonata’ of course, but Tolstoi is mostly in the original Russian as far as I’m concerned.”

“He’s the greatest man in hundreds of years,” cried Burne enthusiastically. “Did you ever see a picture of that shaggy old head of his?”