Читать книгу The Complete Works of F. Scott Fitzgerald онлайн

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He began life as a poor kid in a Tennessee town, he said, so poor that his people were the only white family in their street. He never remembered any white children—but there were inevitably a dozen pickaninnies streaming in his trail, passionate admirers whom he kept in tow by the vividness of his imagination and the amount of trouble he was always getting them in and out of. And it seemed that this association diverted a rather unusual musical gift into a strange channel.

There had been a colored woman named Belle Pope Calhoun who played the piano at parties given for white children—nice white children that would have passed Curtis Carlyle with a sniff. But the ragged little “poh white” used to sit beside her piano by the hour and try to get in an alto with one of those kazoos that boys hum through. Before he was thirteen he was picking up a living teasing ragtime out of a battered violin in little cafés round Nashville. Eight years later the ragtime craze hit the country, and he took six darkies on the Orpheum circuit. Five of them were boys he had grown up with; the other was the little mulatto, Babe Divine, who was a wharf nigger round New York, and long before that a plantation hand in Bermuda, until he stuck an eight-inch stiletto in his master’s back. Almost before Carlyle realized his good fortune he was on Broadway, with offers of engagements on all sides, and more money than he had ever dreamed of.