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By a common instinct, Mynors and Anna made little Agnes the centre of attraction. Mynors continued to tease her, and Agnes growing courageous, began to retort. She was now walking between them, and the other two smiled to each other at the child’s sayings over her head, interchanging thus messages too subtle and delicate for the coarse medium of words.
As they approached the Park the bandstand came into sight over the railway cutting, and they could hear the music of ‘The Emperor’s Hymn.’ The crude, brazen sounds were tempered in their passage through the warm, still air, and fell gently on the ear in soft waves, quickening every heart to unaccustomed emotions. Children leaped forward, and old people unconsciously assumed a lightsome vigour.
The Park rose in terraces from the railway station to a street of small villas almost on the ridge of the hill. From its gilded gates to its smallest geranium-slips it was brand-new, and most of it was red. The keeper’s house, the bandstand, the kiosks, the balustrades, the shelters—all these assailed the eye with a uniform redness of brick and tile which nullified the pallid greens of the turf and the frail trees. The immense crowd, in order to circulate, moved along in tight processions, inspecting one after another the various features of which they had read full descriptions in the ‘Staffordshire Signal’ —waterfall, grotto, lake, swans, boat, seats, faïence, statues— and scanning with interest the names of the donors so clearly inscribed on such objects of art and craft as from divers motives had been presented to the town by its citizens. Mynors, as he maneuvred a way for the two girls through the main avenue up to the topmost terrace, gravely judged each thing upon its merits, approving this, condemning that. In deciding that under all the circumstances the Park made a very creditable appearance he only reflected the best local opinion. The town was proud of its achievement, and it had the right to be; for, though this narrow pleasaunce was in itself unlovely, it symbolised the first faint renascence of the longing for beauty in a district long given up to unredeemed ugliness.