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Outside, Anna thought that everyone had been very agreeable to her. Her complacency increased at a bound. She no longer felt ashamed of her shabby cotton dress. She surmised that people would find it convenient to ignore any difference which might exist between her costume and that of other girls.

She went on to Edward Street, a short steep thoroughfare at the eastern extremity of the town, leading into a rough road across unoccupied land dotted with the mouths of abandoned pits: this road climbed up to Toft End, a mean annexe of the town about half a mile east of Bleakridge. From Toft End, lying on the highest hill in the district, one had a panoramic view of Hanbridge and Bursley, with Hillport to the west, and all the moorland and mining villages to the north and north-east. Titus Price and his son lived in what had once been a farm-house at Toft End; every morning and evening they traversed the desolate and featureless grey road between their dwelling and the works.

Anna had never been in Edward Street before. It was a miserable quarter—two rows of blackened infinitesimal cottages, and her manufactory at the end—a frontier post of the town. Price’s works was small, old-fashioned, and out of repair—one of those properties which are forlorn from the beginning, which bring despair into the hearts of a succession of owners, and which, being ultimately deserted, seem to stand for ever in pitiable ruin. The arched entrance for carts into the yard was at the top of the steepest rise of the street, when it might as well have been at the bottom; and this was but one example of the architect’s fine disregard for the principle of economy in working—that principle to which in the scheming of manufactories everything else is now so strictly subordinated. Ephraim Tellwright used to say (but not to Titus Price) that the situation of that archway cost five pounds a year in horseflesh, and that five pounds was the interest on a hundred. The place was badly located, badly planned and badly constructed. It’s faults defied improvement. Titus Price remained in it only because he was chained there by arrears of rent; Tellwright hesitated to sell it only because the rent was a hundred a year, and the whole freehold would not have fetched eight hundred. He promised repairs in exchange for payment of arrears which he knew would never be paid, and his policy was to squeeze the last penny out of Price without forcing him into bankruptcy. Such was the predicament when Anna assumed ownership. As she surveyed the irregular and huddled frontage from the opposite side of the street, her first feeling was one of depression at the broken and dirty panes of the windows. A man in shirt-sleeves was standing on the weighing platform under the archway; his back was towards her, but she could see the smoke issuing in puffs from his pipe. She crossed the road. Hearing her footfalls, the man turned round: it was Titus Price himself. He was wearing an apron, but no cap; the sleeves of his shirt were rolled up, exposing forearms covered with auburn hair. His puffed, heavy face, and general bigness and untidiness, gave the idea of a vast and torpid male slattern. Anna was astounded by the contrast between the Titus of Sunday and the Titus of Monday: a single glance compelled her to readjust all her notions of the man. She stammered a greeting, and he replied, and then they were both silent for a moment: in the pause Mr. Price thrust his pipe between apron and waistcoat.