Читать книгу Cubists and Post-Impressionism онлайн

35 страница из 70

All of which recalls what Ruskin said of Whistler, and the following choice bits about Turner.

They (referring to two of his famous pictures) “mean nothing. They are produced as if by throwing handfuls of white and blue and red at the canvas, letting what chanced to stick, stick, and then shadowing in some forms to make the appearance of a picture.”

Another picture “only excites ridicule.” “No. 353 caps all for absurdity, without even any of the redeeming qualities of the rest.” ... “the whole thing is truly ludicrous.”[11]

Again of Turner,

“This gentleman has on former occasions chosen to paint with cream, or chocolate, yolk of egg, or currant jelly—there he uses his whole array of kitchen-stuff.... We cannot fancy the state of eye which will permit anyone cognizant of art to treat these rhapsodies as Lord Byron treated “Christabel;” neither can we believe in any future revolution which shall bring the world round to the opinion of the worshipper, if worshippers such frenzies still possess.”[12]


Правообладателям