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Of the above four are well known Cubists; Redon is a poetic personality quite apart; while the others exhibit marked individualities in their work.

Les Fauves in Germany are “Die Wilden,” embracing the “Brücke” of Dresden, the “Neue Sezession” of Berlin, the “Neue Vereinigung” of Munich.[30]

Those of Russia are Larionoff, P. Kuznezoff, Sarjan, Denissow, Kantsch, Schalowsky, Maschkoff, Frau Gontscharof, von Wisen, W. and D. Burljuk, Kanabe, Jakulof; and others who live in foreign countries, such as Schereczowa, Paris; Kandinsky Werefkina, Jawlensky, Bechteyeff, Genin in Munich.[31]

Among the best known English artists who might fairly be classed as “Fauves” are Ferguson, Peploe, Lewis, Wyndhover Lewis, Duncan Grant, Mrs. Bell, Frederic Etchells, Miss Etchells, Eric Gill, Spencer F. Gore, and a man who has done heroic service for the new movement, Roger Fry.

There are, however, comparatively speaking, so few “Fauves” in England that the guns of the critics rust on the racks; while in America they are so scattered they have as yet attracted no attention by concerted action.