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At length the speaking began. The first speaker was listened to with attention which novelty secures. The next found a difficulty in making himself heard in the remoter parts of the building, the consequence of which was considerable whispering in the seats that were beyond the compass of his voice. The next four or five speakers labored under the disadvantage of trying to overcome that buzz and hum of conversation, sotto voce, which is generally a disturbing element when the orator cannot reach the whole of his audience. But a wonderful change was soon to come over this congregation, now becoming rapidly demoralized by forgetting or ignoring the demands of etiquette. For when the next speaker was called, a young man responded whose pale cast of countenance indicated the world’s ideal student. His splendid physique at once arrested the attention of the entire assembly, and there was a strange, sudden lull, for which no one could account. Those in the rear of the chapel straightened themselves, and leaned forward, as if fearful that they would lose the first words of the orator. The ladies ceased fanning, and fastened their eyes upon the elegant form now standing in graceful attitude on the crowded rostrum. It was evident that something unusual was expected. Would the assembly be disappointed and disgusted? Would the external marks of genius prove fallacious? The young man bowed gracefully, straightened himself, paused for an instant, and gazed modestly, but in perfect self-possession, at the sea of upturned, eager faces. Slowly came forth the first sentences flowing on a voice as clear as a silver trumpet, and yet as soft as the breeze which was at that moment soughing through the broad oaks of the surrounding forest. The tones, and, in fact, everything else about the young man appeared to be in consonance with his subject, which the audience saw, on glancing at the programme, was “Man was made to mourn.” It was a theme which, of course, admitted of no profound reasoning, and no startling argument. None was attempted, and none was expected. The auditors tacitly offered their emotions to be swayed as the orator willed. The people made no resistance, but seemed to yield at once to the strange, subtile influence which was stealing over them, and insinuating itself into their hearts like an invisible current of electricity. The smiles vanished from every face as the youthful speaker, in a slightly quivering voice, portrayed scenes of human sorrow and suffering, in order to establish his proposition. In a little while tears were seen rolling down grave cheeks. Young ladies endeavored to laugh at the “ridiculous scene,” as some called it, but the crystal drops glistened in their eyes. At last, when the young man sat down, nothing was heard but suppressed sobs and efforts to clear the nasal duct of its liquid obstructions. At first there was no applause: people seemed unwilling that the spell should be broken. But presently, seeming to realize that the effort deserved more than the silent attestation of the lachrymal gland, they suddenly burst forth into thunders of applause, such as had never before awoke echoes in the classic grove that sheltered the chapel. Those who had printed programmes again looked at the name of this young man. It was Ernest Edgefield.