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Now stalls rise—stalls of ribbons and jewellery, stalls of cheeses, stalls of sheets, curtains, all stuffs. And the stuffs are held up to the sun and considered in the shade, and compared with a complexion and wound round a waist, so that we hear:

“Ça vous va bien.”

And: “Je trouve que c’est trop clair.”

And, of course: “Trois francs, Madame.”

“No, Madame, deux francs... francs, francs, francs.”

Baskets become veritable burdens. Gesticulations grow wilder, the cries louder, the exchange of francs and sous quicker and quicker. Everyone has vegetables and fruits; many have coloured stuffs.

To and fro go the patronne of our hotel, the postman, the garde champêtre, the barber, the Americans. To and fro go the village girls—but pause all at once before a ragged fellow whose eyes are crossed, whose face is unshaven, whose dirty hands clasp an accordion. The church clock strikes eleven. But above all these sounds rises suddenly and discordantly the voice of the man with the accordion. As he sings he leers. The village girls titter. To them, impudently and grotesquely, he addresses his eternal refrain: