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The whole spirit of tolerance of the unusual makes it difficult for us to picture Rome. Modern ink has acquired Nero’s blush; yet, however sensitive a writer may be, once Roman history is before him although he may violate it, may even give it a child, he never can make it immaculate. He may skip, indeed; and it is because he has skipped so often that you may fancy Augustus was immaculate. The rain of fire which fell on the cities that mirrored their towers in the Bitter Sea might just as well have fallen on him, on Virgil, on Caligula, Nero, Otho, Vitellius, Titus, or Domitian[56] why, then, condemn Elagabalus alone unheard, save for the fact that his relations hated him, and as far as we can see, hated him without a cause, or perhaps because he was growing too strong, and his unfortunate disease gave them their opportunity to gain that power after which the women were striving like grim death?

CHAPTER II

THE FAMILY OF THE EMPEROR MARCUS AURELIUS ANTONINUS

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Great houses, says a historian, win and lose undying fame in less than a century; they shoot, bud, bloom, bear fruit; from obscurity they rise to dominate their age, indelibly to write their names in history, and after a hundred years give place to others, who in turn take the stage, while they descend into the crowd and live on insignificant, retired, unknown. This is true, in some periods, but not of the Imperial houses of Rome. Their flight across the stage was meteoric in its rapidity. A generation saw the rise and total extinction of many of those families who aspired to the Roman Purple, particularly the revived house of Antonine.

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