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“O girl, the streams and trees glory in the glamour of spring; the bright sun drops about the green shrubs, and the falling flowers are scattered and fly away. The lonely cloud moves to the hill, and the birds find their leafy haunts. All things have a refuge to which they fly, but I alone have nothing to which to cling. Wherefore, under the moon I drink and sing to the fragrant blossom, and I hold you fast, O flower of the waters, O moon-blossom, O perfect light of day!

“Violets shall lie shining about your neck, and roses in your hair. Your holy hands shall be starred about with gems. Over the green and golden hills, and through the white streets we will wander while the dawn is violet-lidded; and I will hide you in your little nest at night, and love shall be over you for ever!”

That was his song, sung in Chinese. It was old—such songs are not now written in the country of Tai Ling, except by imitators—and Tai Ling might well have forgotten it in the hard labours of his seaman’s life. But he had not, and when it was finished, Marigold was pleased, and clung to him, and told him that she so loved him that she must not inflict this trouble upon him. But he would not hear her.


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