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Paul in the meantime had induced Miss Winchester to follow Herr Krantz; and since his German artistic rendition had excited her imagination, her fingers fairly twitched with desire to respond, ready to the interpretation of what she felt. She knew she could play well because in the mood, delicious sensation.
Miss Winchester’s talent for melodic expression was decidedly of the romantic school. Her idol was Schumann, and at times Tschaikowsky, but never when in their morbid humor, then she shut up their compositions and left them to be morbid alone, not with her. Fact is, Miss Winchester’s versatility and intellectual vivacious activity were so pronounced that she could render many original or rare wild fanciful “morceaux,” provided they were vivacious and embodied with personal experience, or what one might call the racial or national rhythm of those people who did sing and dance naturally. She and her brother were both extremely gifted in this respect, and to hear them play together was not unlike attempting to enjoy two glasses of champagne at the same time.