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When she was out of earshot and the driver had stopped the horses Judy turned to her sister and said with a quiet, incisive directness quite at variance with all her previous moods:

“Sally dear I want to speak a moment to you quite frankly and, believe me, very earnestly. I know you don’t usually credit me with much earnestness; but this is about Joy, and that is always earnest with me.” All the motherhood in Mrs. Ogilvie answered to the call. She sat up with eager intensity, receptive to the full and without any disturbing chagrin. Judy went on:

“You have been thinking of your ‘little girl’—and actually speaking of her as such. That is the worst of mothers—their one fault. With them time seems to stand still. The world goes flying by them, but in their eyes the child remains the same. Gold hair or black turns to white, wrinkles come, knees totter and steps become unsteady; but the child goes on—still, in the mother’s eyes, dressing dolls and chasing butterflies. They don’t even seem to realise facts when the child puts her own baby into the grandmother’s arms. Look round for a moment where Joy is standing there outlined against that Moorish tower on the edge of the cliff. Tell me what do you see?”

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