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CHAPTER II

THE END OF THE GOLDEN AGE

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In tracing the further career of Livia we enter upon the opening acts of the tragedy of the Cæsars, and we have to consider carefully if there be any truth in the charge that Livia herself initiated the long series of murders that now make a trail of blood over the annals of Rome. With the coming of the Empire we more rarely find legion pitted against legion in the horrors of civil war, but we have nerveless ambition stooping to the despicable aid of the poisoner, autocracy paralysing the best of the nobility with its murderous suspicions, and folly growing more foolish with the increasing splendour of the imperial house. We already know that the germs of this disease were found in the quiet home of Livia and Octavian on the Palatine. Scribonia had received her letter of divorce a few days after the birth of her daughter Julia. As Livia bore no direct heir to the Emperor, while Julia became the mother of many children, we have at once the promise of a dramatic struggle for the succession. When we further learn that the strain of Imperial blood, which takes its rise in Julia, is thickly tainted with disease, we are prepared for a bloody and unscrupulous conflict. And when we reflect that on this unstable pivot the vast Empire will turn for many generations, we begin to understand the larger tragedy of the fall of Rome.

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