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Qui vitam sine termino

Nobis donet in patria,

that is the pure note of exile, and so is the

Coheredes et sodales

In terra viventium,

and in this last glorious thing comes in the note of marching and of soldiers as well as the note of separation and of longing. But after all the mention of religion is in itself a proof of song, for what spell could there ever be without incantation, or what ritual could lack its chaunt?

If any man wonders why these two, Religion and Song, are connected, or thinks it impious that they should so be, let him do this: if he is an old man let him cover his face with his hand and remember at evening what occasions stand out of the long past, full of a complete life, and of an acute observation and intelligence of all that was around: how many were occasions for song! There are pictures a man will remember all his life only because he watched them for a pastime, because he heard a woman singing as he watched them, and there are landscapes which remain in the mind long after other things have faded, but so remain because one went at morning with other men along the road singing a walking song. And if it is a young man who wishes to make trial of this truth, he also has his test. For he will note as the years continue how, while all other pleasures lose their value and gradation, Song remains, until at last the notes of singing become like a sort of sacrament outside time, not subject to decay, but always nourishing men, for Song gives a permanent sense of futurity and a permanent sense of the presence of Divine things. Nor is there any pleasure which you will take away from middle age and leave it more lonely, than this pleasure of hearing Song.