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Teresa stroked Jasper’s sticky little hand and listened indulgently to their chatter. Then they caught sight of Mrs. Lane coming out of the house, and rushed at her, shouting, “Doña! Doña!”

The Spaniards deal in a cavalier way with symbolism; for instance, they put together from the markets, and streets, and balconies of Andalusia a very human type of female loveliness; next, they express this type with uncompromising realism in painted wooden figures which they set up in churches, saying, “This is not Pepa, or Ana, or Carmen. Oh, no! It isn’t a woman at all: it’s a mysterious abstract doctrine of the Church called the Immaculate Conception.” They then proceed to fall physically in love with this abstract doctrine—serenading it with lyrics, organising pageants in its honour, running their swords through those who deny its truth, storming the Vatican for its acceptance.

Hence, for those who are acquainted with Spain, it is hard to look on Spanish concrete things with a perfectly steady eye—they are apt to become transparent without losing their solidity.

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