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—CARDUCCI.

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Although, hardly less than Shakespeare, born not for an age but for all time, Dante was nevertheless in an especial sense the poet of the mediæval period. The vast advance which he effected in the poetic art had no counterpart in a corresponding progress in the world of intellect. Powerful as his mind was, it seemed as an organ of thought rather architectural than creative; more intent on combining the materials it found into the most august edifice which their constitution admitted, than on gaining new channels for feeling and intelligence. This was to be the work of a mind far less original than Dante’s, but happily placed at the confluence of mediæval ideas with an element by which they were destined to be submerged and transformed. In the year 1304, on the very day when Dante and his exiled companions were making their desperate attempt to fight their way back into Florence, FRANCESCO PETRARCA, the child of one of their number, was born a humanist by the grace of God in the Tuscan town of Arezzo. Six years after Dante’s death a casual encounter with a lady who awoke the faculty of song within him made the scholar the first poet of his age. But neither the innate love of letters nor the awakened faculty of poetry would have exalted Petrarch to the literary supremacy he attained if he had not lived at the very juncture when literature, hitherto cultivated in some of its branches for mere utility, in others as an ornament of courtly life, was beginning to revive as a profession. Dante, a statesman, a philosopher, a prophet, was not in a true sense a man of letters, and neither his ideals nor his contemporary influence extended beyond the limits of Italy. Petrarch was the first modern literary dictator, the first author to receive the unanimous homage of a world of culture. Such a world had not existed since the decay of antique civilisation, and he may be said to have been in a manner both its cause and its effect. As the Erasmus, the Voltaire, the Goethe of his age, he claims a more distinguished place in literary history than even his exquisite poetry, much less his but relatively ample erudition, could have secured for him.