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It is noteworthy that Petrarch does not appear as the representative poet of the mediæval or of any other period. Horace and Ovid would have admired him as much as his contemporaries did, and he is as fresh and bright in the nineteenth as in the fourteenth century. Many have pursued him, none have overtaken him. His prose works, on the contrary, bear the stamp of their age, and exist for ours mainly as curiosities and documentary illustrations of bygone manners and ways of thinking. This was inevitable; he could not have been the literary sovereign of his age had he been very greatly in advance of it. He looked down upon it sufficiently to dislike it, as he tells us, and prepare a better. As a man he had shining virtues and few faults, except such as are almost inseparable from the characters of poets, orators, and lovers, and which men like Dante only avoid at the cost of less amiable failings. His nearest parallel is perhaps with Cicero, and would appear closer if Petrarch had, or Cicero had not, been called upon to take a highly responsible part in public affairs.