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Christiania has a population of about seventy thousand, and owes its modern appearance to the destruction of the old town by fire. Nowadays the suburbs extend widely all round it, while to the westward villas reach almost to Oscar’s Hall, an object of interest distinctly visible both from the town and the fortress, being only about four miles distant by land, and half that amount by water. The villa, with its high tower, is the property of the King, and is rich in the native talent of Tidemand, who was the national genre painter of his day. There are magnificent views of the fjord, bay, and surrounding mountains from all points, whether high or low, from the fortress or from the Egeberg, from the tower of the church in the market-place, or, farther off, from the Frogner Sæter and the Skougemsaas. For the latter, however, a long day should be taken.

Christiania.

To visit Oscar’s Hall the most pleasant way is to take a boat and row across. This was suggested by Hans, and we were glad to find that he took kindly to boat work, as he came from Gudbransdalen, which is inland. More pleased, however, were we to discover, when about half-way across, that Hans was gradually bursting out into song, singing in a clear voice one of Kjerulf’s sweetest compositions, which we give in part at the end of the chapter. There is a plaintive sweetness throughout it, and the beauty of the evening, coupled with the surprise, caused us to anticipate many future repetitions, as nothing, when travelling, is more humanising and soothing than vocal or instrumental music.