Читать книгу Life of Octavia Hill as Told in Her Letters онлайн

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“They are the granddaughters of Dr. Southwood Smith.”

Towards the end of 1855 an important event took place, which led to Mrs. Hill’s withdrawal from the Ladies’ Guild. My father had been interested in Octavia’s work for the Toy-workers, and offered to take a Bible Class for them. The Theological Essays controversy was just then at burning point; and the ladies who had handed over the business part of the toy work, still considered that they had a right to interfere about the religious instruction of the children. These ladies were very Evangelical (as Evangelicalism went in those days) and they threatened to withdraw all pecuniary help and the support of the Ragged School Union, if my father was allowed to teach the girls. The managers of the business were so much alarmed at this threat that they asked my father to withdraw his offer. Mrs. Hill and her daughters were naturally very indignant at this; and Mrs. Hill’s protests led to her losing the post of Manager at the Guild. She and Emily went to Weybridge. Miranda and Octavia continued to work for a time; but when it seemed likely that the Guild would fail, Miranda obtained daily teaching and Octavia applied to Ruskin to learn from him if there would be any chance of her supporting herself by painting. He replied most kindly, and asked her to let him have a table-top designed and painted by herself. This design^[7] was a spray of bramble leaves in all their brilliant autumn colours, encircling the centre space which formed a background that was dark at one part and gradually grew lighter, and finally changed into soft blue, suggesting storm clouds passing away, and leaving a bright sky. Round the edge, among the leaves, were the words of the Psalm, “He brought them out of darkness and out of the shadow of death, and brake their bonds in sunder.”