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In the first form, it was strictly pioneer literature, and naturally had the crudity of thought and structure which belong to literature composed under unsettled conditions. Gradually it came to have better aesthetic substance and artistic form. This growth in it from crudity to decent literary form evolved according to the social and spiritual development of Canada in the Pioneer and the later Pre-Confederation periods. As existence in Canada became more and more settled, and education and culture became more and more distributed and appreciated, the literature produced in the country was written more and more to appeal to the aesthetic sensibilities and the artistic conscience. The reason for this is that when an émigré writer, such as Mrs. Susanna Moodie, undertook to write social and nature sketches, the substance counted for everything, and the form and movement were free, unhampered by traditional laws of expression. It was speech transcribed on paper. But the émigré poets were bound by English models according to which they must write, or not write at all. In émigré verse, therefore, rather than in émigré prose, we observe evidences of an evolution in substance and artistic structure.