Читать книгу Highways of Canadian Literature онлайн

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J. D. Logan.

Acadia University, Wolfville, N.S.

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To write properly a Synoptic History of Canadian Literature, the historian must first evaluate extant Canadian verse and prose from the point of view of the Whole. Secondly, he must treat Canadian Literature as a Whole in respect to its Genetic bases and relations. In presenting this synoptic history, Canadian Literature is considered not as a special, isolated, and chance product, but as the definitive outcome of racial, naturalistic, social, economic, and political conditions within the vast Dominion itself, and of other conditions brought into existence by racial affinities and social, political, economic, and spiritual relations with the people of the United States and the United Kingdom.

The general treatment proceeds on an a priori presumption and a critical principle. The a priori presumption is that in Canada where verse and prose which possess all degrees of worth have for more than a century and a half been produced in the English language and which had English poetry and prose for models, there must be a respectable residue of authentic literature written by native-born and resident émigré Canadian authors. In a phrase, the fact of a Canadian Literature is presumed. The critical principle employed in the treatment is this: that however insignificant, from the point of view of world literature, Canadian Literature may be, it is important to Canadians themselves. For however unimportant Canadian historical romances, Canadian humor, Canadian nature-poetry, Canadian poetic drama, Canadian realistic fiction, Canadian monodies may be when compared with the same genres in English Literature, they are the representatives of Canadian culture and of the Canadian creative spirit; if they were not extant there would be no Canadian Literature at all; and thus the Canadian people would be spiritually poorer and less significant not only to themselves but also to the world.