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There is a conviction widespread among us—his own words, perhaps, have done most to create it—that King George is inspired, as no recent predecessor has been inspired, by the conception of kingship, that his is to be no rôle of almost indifferent abstinence from the broad processes of our national and imperial development. That greater public life which is above party and above creed and sect has, we are told, taken hold of his imagination; he is to be no crowned image of unity and correlation, a layer of foundation-stones and a signature to documents, but an actor in our drama, a living Prince.

Time will test these hopes, but certainly we, the innumerable democracy of individually unimportant men, have felt the need for such a Prince. Our consciousness of defects, of fields of effort untilled, of vast possibilities neglected and slipping away from us for ever, has never really slumbered again since the chastening experiences of the Boer war. Since then the national spirit, hampered though it is by the traditions of party government and a legacy of intellectual and social heaviness, has been in uneasy and ineffectual revolt against deadness, against stupidity and slackness, against waste and hypocrisy in every department of life. We have come to see more and more clearly how little we can hope for from politicians, societies, and organised movements in these essential things. It is this that has invested the energy and manhood, the untried possibilities, of the new King with so radiant a light of hope for us.