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The hypothesis of fiction seems reasonably well established. We must remember that Plato did not habitually confine himself to bare facts. His favorite method of exposition was by reporting alleged dialogues between Socrates and various persons—dialogues which no one could have remembered accurately in their entirety. It is recognized that in arrangement, characters, and utterance he has contrived to convey his own theories and conceptions as well as those of his revered teacher and leader, so that it is often impossible to say whether we should credit certain views or statements mainly to Plato or to Socrates. Possessed by his meditations, he would even present as an instructive example and incitement a fancied picture of an elaborate system of social and political organization, chiefly the product of his own brain. He did this in the “Republic” and apparently had planned a larger partly parallel work of the kind in the triology of which the “Timaeus” and the fragmentary “Critias” are the first part and the unfinished second. A writer (Lewis Campbell) in the Encyclopaedia Britannica, article “Plato,” states the case very clearly.