Читать книгу By-ways on Service: Notes from an Australian Journal онлайн
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Appropriately enough, it is but a step into the scent bazaar proper, and many of the purchasers there are (inappropriately) men. That the men should wear and hanker after perfumes to this degree is one phase of Egyptian degeneracy. The vendors squat in their narrow cubicles lined with shelf upon shelf of gaily-coloured phials. They invite you to sit down. Coffee is called for, and whilst that is preparing you must taste the sweets of their wares on your tunic-sleeve. Bottle by bottle comes down; he shakes them and rubs the stopper across your forearm: attar of roses, jasmine, violet, orange-blossom, banana, and the rest of them, until you are fairly stupid with the medley of sweet fumes. You saunter off rubbing your sleeve upon your breeches, and wondering what your comrades in arms will say if they catch you wearing the odours of the lord of the harem. You have a tiny flask of attar of roses upon you to send home to its appropriate wearer.
You move on to the tarbush bazaar; Tunis bazaar, where the fine Tunisian scarves of the guides are sold; slipper bazaar, showing piles of the red canoe-shoe of the Soudanese hotel-waiter, and of the yellow heelless slipper of the lounging Egyptian; blue bazaar, where the women buy their dress-stuffs—their gaudy prints and silks, all the rough material for their garments. No Australian flapper can hold a candle to them in their excited keenness of selection; and there is the added excitement of bargaining. The feminine vanities of adornment are deep and confirmed in Cairo. To see the Cairene aristocrats purchasing dress-material, go to Stein's or Roberts's, Hughes's or Philips's or Senouadi's, or to any of the other big houses, in the middle afternoon. It's there, and not at any vulgar promenading (for they all drive), that you see the fine women of Cairo. Mostly French they are, and beautiful indeed, dressed as aptly and with as much artistry as in Alexandria; and that is saying the last word. There you will see a galaxy of beauty—not in any facetious or popular sense, but actually. It's a privilege to stand an hour in any such house and watch the procession: a privilege that does you good. The Frenchwomen of Cairo perform very naturally and capably the duty of matching their beauty. They have an unerring æsthetic sense, and evidently realise well enough that to dress well and harmoniously is a form of art almost as pure as the painting of pictures.