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“It don’t do much for the children, I’ll go bail,” said the old lady. “That’s the worst of fine gentlemen, me dear. O’Shaughnessy he asks me for a shillin’ when he wants it, bless him—and that’s the only way when there’s small pay. Singing, is it? If you’re always to make such a stand on being a lady, me friend Lottie, I don’t see how I can help you; but if you will come in free and comfortable, and take a dish of tay when Rowley’s there—oh, to be sure, puff! my lady’s off—but there’s no harm in him; and he’ll make you die with laughin’ at him, him and his airs—but they tell me he has the best voice and the best method of any of the lay clerks.”
“A singing man!”
“Well, and that was what ye wanted!” said the old woman. “You know as well as me, Miss Lottie, there’s no singin’ woman here.”
Lottie protested that she could not consent to appear in such company—that papa would not allow it—that it was impossible. But she ended by promising to “run in” before old Major O’Shaughnessy began his rubber, and see this singing man. And the result was that, half out of friendship for his Irish hosts who did not pretend to be above him, and half out of pride to be interrogated so graciously about his invalid daughter by a young lady who gave herself such airs, Rowley, the first tenor, agreed for so low a rate as had never been heard of before to train Miss Despard’s beautiful voice. “If the young lady had been a little boy, and if the Signor could but ha’ gotten hold on it!” Rowley said, in enthusiasm. It was the voice, which is impersonal, of which he spoke, and the Signor was the organist. But good fortune had not as yet thrown him in Lottie’s way. Soon, however, Rowley began to whisper it about that he had got a pupil who was quite good enough for Exeter Hall, if not for the Italian Opera, and the whole community was interested. Lottie herself, and her pretty looks, had not attracted any notice—but a voice was a very different matter. And then it was that steps were taken to make, for Lottie’s behalf, a practicable gap in the hedge of prickles which surrounded the Cloisters and kept intruders out. Miss Despard was invited to join the St. Michael’s Choral Society, in which the Divinities on the hill did not disdain to mingle their voices even with the lower-born outside the Abbey walls. And when it became known what a voice Lottie’s was, a remarkable thing happened. The Dean called! It was not Lady Caroline, but the Dean; and a gentleman’s visit, as is well known, is not the same thing as a lady’s. But Lottie, who knew nothing of the laws of society, was flattered and happy, and saw a hundred lovely visions unfolding before her when the Dean invited her to go to a private practice, which was then going on in the Deanery drawing-room. “My daughter bade me fetch you, Miss Despard, if you would be good enough to come,” he said, gravely; but waited very impatiently till she was ready, in great terror lest “the father” should make his appearance, and his visit be construed into a call upon Captain Despard. Lottie put on her hat with her heart leaping and bounding. At last she had done it! At last Paradise was opening before the Peri! At last the wrongs of fate were to be set right, and herself conveyed back into her natural sphere. She went by the Dean’s side demurely, with downcast eyes, across the slope to the Deanery garden. The very stones felt elastic under her feet, there was a ringing of excitement and delight in the air and in her ears. She arrived breathless at the door, though they had not walked fast. So absorbed was she by all that was about to happen that Lottie never thought of the sensation that ran through the Abbey when the Dean was seen walking to his own dignified door in company with Captain Despard’s daughter. Miss Despard? Lottie? The Chevaliers, and their wives and daughters, could not believe their eyes.