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INTRODUCTION.

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“C’est bien raison que je vous compte des histoires de Virgille de Romme lequel en son temps, fis moult de merveilles.”—Les Faictz Merveilleux de Virgille. XVIth Century.

The reader is probably aware that during the Middle Ages, Virgil, who had always retained great fame as a poet, and who was kindly regarded as almost a Christian from a conjectured pious prophecy in his works, underwent the process of being made romantic and converted into a magician. How it all came to pass is admirably set forth by Professor Domenico Comparetti in his truly great work on “Virgil in the Middle Ages.” ssss1

During the twelfth century, and for some time after, many learned pilgrims or tourists from different parts of Europe, while in Italy, hearing from the people these tales, which had a great charm in an age when the marvellous formed the basis of nearly all literature, gave them to the world in different forms. And as the fame of Virgil as a poet was almost the first fact learned by those who studied Latin, legends relating to him spread far and wide. The Mantuan bard had been well-nigh deified by the Romans. “Silius Italicus used to celebrate his birthday every year, visiting his tomb as if it were a temple, and as a temple the Neapolitan Statius used to regard it.” [0b] And this reverence was preserved by the Christians, who even added to it a peculiar lore.

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