The ill-fated weaver who had succumbed to the injuries received in the mill in which he worked was a man of steady habits, an excellent husband and father, and altogether a worthy member of society. He was, in consequence, greatly respected in the town. A committee of influential persons was formed for the purpose of carrying out successfully all the necessary arrangements for the forthcoming concert.

Peace, who was to a certain extent popular with a section of the operatives, was introduced to Mr. Knight, the musical director of the proposed entertainment. At the first interview a discussion took place as to the part he was to play on the eventful evening. He tried over several difficult pieces with the pianist, who professed himself well satisfied with the burglar’s ability.

“I see you have paid some attention to chamber or classic music, as well as sacred,” observed Mr. Knight.

“I commenced with sacred,” returned Peace, and always took great delight in both, but at the same time it doesn’t go down with the multitude so well as livelier strains, such as ballads, music-hall songs, and nigger melodies.”