Читать книгу The Women Who Make Our Novels онлайн
29 страница из 81
“Father, I have written a book.”
Isaac F. Marcosson says that Father was dumbfounded, and well he might have been. The novel was published anonymously and was generally supposed to be the work of a man of training and experience. It was The Descendant, and it has been characterized as “a rather morbid exposition of the development and life of an intellectual hybrid, the offspring of a low woman and a highly intellectual man.”
The first book in which Miss Glasgow established her right to serious consideration as an American novelist—as a novelist picturing American life—was The Voice of the People, published in 1900. She has referred in after years to The Descendant as “a mere schoolgirl effort,” although it was not received as such, not by a long shot! But she could not so characterize The Voice of the People, nor could any one else. It is a competent picture of the Virginia of the ’80s with its class distinctions and its political maneuvering, framing a specific and dramatic story. The novel exhibits a considerable knowledge of political machinery and a characteristic tale relates how Miss Glasgow got some of the necessary “atmosphere.” In 1897 she drove over twenty miles in the hottest August weather in order to sit through two days of a Democratic State convention. An old family friend, a delegate to the convention, smuggled Miss Glasgow and her sister on to the stage of the opera house in which the sessions were held. They were the only women in the building and the ordeal of listening to two days of Southern oratory must have been as severe as the ordeal of sitting, obscurely and uncomfortably, in a sun-baked theater.