Читать книгу Dæmonologia Sacra; or, A Treatise of Satan's Temptations. In Three Parts онлайн

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From point to point of our Memoir, it has been our endeavour to bring out the character of Dr Gilpin under his varying circumstances; so that, unless I have failed more than I can suppose, my Readers must by this time—even out of the scanty material which has been left to us—have formed an idea of him, such as will bear me out, I anticipate, in characterising him summarily as a man of no ordinary type, large of soul,—with the spaciousness of genius that has been hallowed,—strong and inevitable in his convictions, quick and sensitive in conscience, intense and full of momentum in whatever he undertook; and, as his ‘Dæmonologia Sacra’ proves, profound, sagacious, keen in his scrutiny of human and celestial-demoniac problems, and one who must have carried sunshine with him wherever he went. His portrait—preserved in Nova Scotia by a descendant, Dr Gilpin of Halifax—as engraved in the earlier edition of Palmer, shews the liquid eye of genius, the mobile lip, the brow compact and packed of brain, a nose somewhat audacious, and a touch of sauciness in the chin, while the long cavalier-like curled ‘locks’ of his wig seem to proclaim the lord of the manor of Scaleby as much as the Preacher; for as Edward Boteler puts it of another, with Fullerian alliteration, ‘Though he was very humble, yet he knew how to be a man and no worm, as well as when to be “a worm and no man.” He knew when to lay his honour in the dust, and when to let no dust be upon his honour.’63