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To Macmaster, in short, this was the ideal English home. Of Mrs Duchemin's drawing-room itself, contrary to his habit, for he was sensitive and observant in such things, he could afterwards remember little except that it was perfectly sympathetic. Three long windows gave on to a perfect lawn, on which, isolated and grouped, stood standard rose trees, symmetrical half globes of green foliage picked out with flowers like bits of carved pink marble. Beyond the lawn was a low stone wall; beyond that the quiet expanse of the marsh shimmered in the sunlight.
The furniture of the room was, as to its woodwork, brown, old, with the rich softnesses of much polishing with beeswax. What pictures there were Macmaster recognized at once as being by Simeon Solomon, one of the weaker and more frail aesthetes--aureoled, palish heads of ladies carrying lilies that were not very like lilies. They were in the tradition--but not the best of the tradition. Macmaster understood--and later Mrs Duchemin confirmed him in the idea--that Mr Duchemin kept his more precious specimens of work in a sanctum, leaving to the relatively public room, good-humouredly and with slight contempt, these weaker specimens. That seemed to stamp Mr Duchemin at once as being of the elect.