Читать книгу The Educational Writings of Richard Mulcaster онлайн

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The training in Music, as in all other faculties, has a special eye to these three points:—the child himself, who is to learn; the matter itself, which he is to learn; and the instrument itself, on which he is to learn. I will so deal with the first and the last heads, that is, in regard to the child and the instrument, that neither of them shall lack whatever is needful, either for framing the child’s voice, or exercising his fingers, or choosing his lessons, or tuning his instrument. For in the voice there is a proper pitch, where it is neither over nor under-strained, but delicately brought to its best condition, to last out well, and rise or fall within due compass, and so that it may become tunable and pleasant to hear. And in the training of the fingers also, there is regard to be had, both that the child strike the notes clearly, so as not to spoil the sound, and that his fingers run with certainty and lightness, so as to avoid indistinct execution. Of these the first commonly falls out through too much haste in the young learner, who is ever longing to press forward; the second fault comes of the master himself, who does not consider the natural dexterity and order of development in the joints, for if this is rightly attended to, the fingers easily become flexible and master difficulties of execution without pain. As for the matter of music, which the child is to learn, I would set down by what means and degrees, and by what lessons, a boy who is to be brought up to sing may and ought to proceed regularly from the first term of art, and the first note in sound, until he shall be able without any frequent or serious failure to sing his part in prick-song, either by himself at first while he is inexperienced, or with others for good practice afterwards. For I take so much to be enough for an Elementary institution, which can only introduce the subject, though it must follow the right principle, and I postpone the study of composition and harmony till further knowledge and maturity are attained, when the whole body of music will demand attention. And yet since the child must always be advancing in that direction, I would set him down to rules of composition and harmony, which will make him better able to judge of singing, just as in language he who is accustomed to write can best judge of a writer. Concerning the virginals and the lute, which two instruments I have chosen because of the full music uttered by them and the variety of execution they require, I would also set down as many chosen lessons for both as shall bring the young learner to play reasonably well on them, though not at first sight, whether by the ear or by the book, always provided that prick-song go before playing.