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Another method of dealing with the image is to melt or wear it away gradually; if it be of wax or lead, it may be seared with a red-hot poker, or placed bodily in the fire; if it be of clay, it may be scraped with a knife, or put into some stream which will gradually wash it away. Accordingly as it is thus wasted away, slowly or rapidly, so will the person whom it represents waste and die. This is in principle the same system as that adopted by Simaetha in the Idyll of Theocritus to win back the love of Delphis. ‘Even as I melt this wax,’ she cries, ‘with God’s help, so may the Myndian Delphis by love be straightway molten[20]’; and she too used in her magic rites a fringe from Delphis’ cloak, to shred and to cast into the fierce flame.[21] Only, in her case, the incantation turned what might have been a death-spell into a love-charm.

Love and jealousy are still the passions which most frequently suggest the use of magic. Occult methods are necessary to the girl whose modesty prevents her from courting openly the man on whom her heart is set, and not less so to her who would punish the faithlessness of a former lover.