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Inquiry respecting the Fabulous Animals of the Ancients.

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It is easy to reply to the foregoing objection, by examining the descriptions of these unknown beings, and by inquiring into their origins. The greater number of them have an origin purely mythological, and of this origin their descriptions bear unequivocal marks; for in almost all of them we see merely parts of known animals united by an unbridled imagination, and in contradiction to all the laws of nature.

Those which were invented or arranged by the Greeks, have at least the merit of possessing elegance in their composition. Like those arabesques which decorate the remains of some ancient buildings, and which have been multiplied by the fertile pencil of Raphael, the forms which they combine, however repugnant to reason they may be, present agreeable contours. They are the fantastic productions of playful genius; perhaps emblematic representations in the oriental taste, in which were supposed to be concealed under mystical images certain propositions in metaphysics or in morals. We may excuse those who employ their time in attempts to discover the wisdom concealed in the sphinx of Thebes, the pegasus of Thessaly, the minotaur of Crete, or the chimera of Epirus; but it would be absurd to expect seriously to find such productions in nature. As well might we search for the animals described in the Book of Daniel, or for the beast of the Apocalypse.

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