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When you land at Jeddah you blink your eyes and pinch yourself to see if you are awake. The Koran forbids the use of intoxicating liquors, but either the architects who designed this city were not faithful Mussulmans or most of the buildings were constructed before Mohammed introduced prohibition into Arabia. The streets of Jeddah are a bewildering maze of narrow zigzag canons between tall tottering houses, which look as though they had been joggled about by incessant earthquakes. Many of the houses are of five and six stories and are used only for the accommodation of pilgrims who pass through on their way to Mecca during Ramadan, a time when the population of the city increases from twenty thousand to perhaps one hundred thousand. The most fitting way I can think of describing this weird Arabian seaport is to say that it looks like any ordinary Oriental city might look to a man suffering from delirium tremens. The Leaning Tower of Pisa would be in an appropriate setting if it were transferred to Jeddah. Symmetry seems to be an unknown quantity in this part of the Near East. It is said that an Arab carpenter cannot draw a right angle, and an Arab waiter never puts a table-cloth on square. The sacred shrine of the Mohammedans in Mecca, known as the Kaaba, meaning “cube,” has none of its sides or angles equal. Arab streets are seldom parallel, and even “the street that is called straight” in Damascus is not straight! Jeddah, with its inebriated buildings, its crazy fragile balconies, its leaning minarets, its lazy Arab merchants squatting cross-legged on top of tables in front of chaotic shops, its fantastic arcaded bazaars covered in with patchwork roofs pieced together like the sails of a Chinese junk, is the nearest approach to a futurist paradise of any city in the world.


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