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’Tis time to cast thy bow away,

Cupid, we all are, in thy sway.

Thy golden love-awaking dart

Hath reached and wounded every heart!

CHAPTER II

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On the Neva, near the rafts of the Tsarevitch, stood a large barge, which had come from Archangel, laden with Holmogorian pottery. Her owner, the rich merchant Poóshnikoff, belonging to the heretics of the sea coast, gave shelter in his barge to deserters of the old faith, who were obliged to be in hiding. The space between the decks and the poop was divided up into little cells. In one of these Elena had found shelter.

Elena was a peasant woman, the wife of a foreman in the Moscow Mint, Maxim Yereméyeff, a secret iconoclast. When the leader of the iconoclasts, the barber Thomas, was burnt, Maxim fled to the southern towns, leaving his wife behind. It was difficult to decide whether she herself was a heretic or an Orthodox, for she crossed herself with two fingers after the advice of some old man who used to visit her, saying: “thou canst not move God with three fingers,” while yet frequenting Orthodox Churches and confessing to Orthodox priests. Notwithstanding the terrible rumours about Peter, Elena believed he was the true Russian Tsar and loved him. She prayed that she might be allowed to behold his Majesty, and for this reason she had come to Petersburg. One thought only possessed her: that God might grant the Tsar repentance, bring him back to his father’s faith, make him cease from persecuting the people of the old faith, and thus give them, in their turn, a chance of joining the Orthodox church. Elena had composed a special prayer for the unification of the church, which she meant to have shown to her confessor, but could not find the courage, as it seemed so badly written. She visited monasteries, she engaged an old woman for six weeks to read the acathistus for the Tsar at the Ascension church and at another dedicated to the Virgin of Kazan. She herself would kneel two or three thousand times a day for him. But all this did not seem sufficient for her, and she resolved on a last desperate remedy. She made her nephew Vassia, a lad of fourteen, write out the prayer she had composed for the Tsar and the uniting of the church, sewed a cover for an icon, and putting the prayer in the lining, gave it to a priest in the Church of the Assumption, making no mention of the hidden letter.

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