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They spoke of Cousin Kate.

They had tried to reproduce their own attitude to life upon the stage, and to dress up as the middle-class English people they actually were. Next year they would do Quality Street or The Yeomen of the Guard. Save for this annual incursion, they left literature alone. The men had no time for it, the women did nothing that they could not share with the men. Their ignorance of the Arts was notable, and they lost no opportunity of proclaiming it to one another; it was the Public School attitude, flourishing more vigorously than it can yet hope to do in England. If Indians were shop, the Arts were bad form, and Ronny had repressed his mother when she enquired after his viola; a viola was almost a demerit, and certainly not the sort of instrument one mentioned in public. She noticed now how tolerant and conventional his judgments had become; when they had seen Cousin Kate in London together in the past, he had scorned it; now he pretended that it was a good play, in order to hurt nobody’s feelings. An “unkind notice” had appeared in the local paper, “the sort of thing no white man could have written,” as Mrs. Lesley said. The play was praised, to be sure, and so were the stage management and the performance as a whole, but the notice contained the following sentence: “Miss Derek, though she charmingly looked her part, lacked the necessary experience, and occasionally forgot her words.” This tiny breath of genuine criticism had given deep offence, not indeed to Miss Derek, who was as hard as nails, but to her friends. Miss Derek did not belong to Chandrapore. She was stopping for a fortnight with the McBrydes, the police people, and she had been so good as to fill up a gap in the cast at the last moment. A nice impression of local hospitality she would carry away with her.