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“India’s—— Oh, what an alarming idea!”

“There’ll be no muddle when you come to see me,” said Aziz, rather out of his depth. “Mrs. Moore and everyone—I invite you all—oh, please.”

The old lady accepted: she still thought the young doctor excessively nice; moreover, a new feeling, half languor, half excitement, bade her turn down any fresh path. Miss Quested accepted out of adventure. She also liked Aziz, and believed that when she knew him better he would unlock his country for her. His invitation gratified her, and she asked him for his address.

Aziz thought of his bungalow with horror. It was a detestable shanty near a low bazaar. There was practically only one room in it, and that infested with small black flies. “Oh, but we will talk of something else now,” he exclaimed. “I wish I lived here. See this beautiful room! Let us admire it together for a little. See those curves at the bottom of the arches. What delicacy! It is the architecture of Question and Answer. Mrs. Moore, you are in India; I am not joking.” The room inspired him. It was an audience hall built in the eighteenth century for some high official, and though of wood had reminded Fielding of the Loggia de’ Lanzi at Florence. Little rooms, now Europeanized, clung to it on either side, but the central hall was unpapered and unglassed, and the air of the garden poured in freely. One sat in public—on exhibition, as it were—in full view of the gardeners who were screaming at the birds and of the man who rented the tank for the cultivation of water chestnut. Fielding let the mango trees too—there was no knowing who might not come in—and his servants sat on his steps night and day to discourage thieves. Beautiful certainly, and the Englishman had not spoilt it, whereas Aziz in an occidental moment would have hung Maude Goodmans on the walls. Yet there was no doubt to whom the room really belonged. . . .